Violin Sonata in A Major, Movement 3 - Piano Score

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Ornamentation involves musical flourishes or decorations to the musical line. In the first movement, can you hear short, decorative bird-like trills in the violin part? Can you listen for trills and other ornamentation in other movements of this work? Do you hear sections that have a steady rhythm or beat that you could tap to? The classical period in music was marked by a greater variation of rhythm than that used in the previous Baroque period.

Beethoven uses a wide range of rhythms in this sonata. Can you make out the rhythmic pattern of the opening theme of the first movement? Do you hear that the theme begins with a long note followed by flowing, faster sixteenth notes? Do you then hear the piano echo the same rhythmic pattern? Where else do you hear this rhythmic pattern in the first movement? Can you hear a repeated rhythmic pattern in the second theme of the first movement that might sound like knocking at a door?

It can be heard in both the violin and the piano parts. Can you listen for this rhythmic pattern again in the first movement? Can you hear a constantly repeated rhythmic pattern in the piano part of the scherzo? Can you hear that this pattern is answered by the violin with an off-beat rhythmic pattern? Can you hear dramatic syncopated off-beat rhythms in the fourth rondo movement? Can you hear triplet rhythms in this movement?

Triplet rhythms are three notes played in the time it normally takes to play two notes. What other rhythmic patterns stand out for you in this sonata? Is there another particular pattern that you can hear repeated between the violin and piano? The interval of a descending sixth is a melodic feature heard throughout all movements of this sonata.

Can you hear the repeated rhythmic and melodic notes in the second theme of the first movement?

Sonata in A Major (Mvt. 4): String Orchestra Conductor Score & Parts: César Franck

The same note is repeated 7 times before it moves to the lower note. A short three note repeated pattern is heard in both the piano and violin parts of the scherzo. The staccato melody then goes up one note and down the descending sixth the melodic interval repeated throughout this sonata. Can you hear the contrasting long runs of scales in the B section between the repeated note melodic fragment?

A repeated note figure is also heard in the fourth movement. It is a melodic fragment that is easy to sing. Can you hear it in the opening violin part after the piano introduction to the fourth movement? The melody begins with a three note ornamented figure followed by four descending notes with the last of the four descending notes repeated three times.

What other melodic patterns can you hear in this sonata? Are there any other melodies that are easy to sing? Musical texture refers to the layers of sound that are heard in the music. Can you hear where the texture of this sonata features independent lines or voices played by the violin and piano and exchanged between them? In these sections, the violin and the piano sound like equal partners. Can you hear where the texture of the sonata changes so that there is one main melodic voice in the violin accompanied by solid or broken chords in the piano, as for example parts of the second movement Adagio?

Timbre is the different qualities of sound created by different instruments. For example the kind of sound that string instruments make when they play together is a different quality of sound to that produced by brass instruments like the trumpet or French horn. How would you describe the timbre of the violin?

Of the piano? Of the piano playing with the violin? Can you hear different qualities of sound depending on what instrument or instruments are playing? Can you tell which instruments are playing just from hearing them? Does this music sound like any other music you have heard before? What does this music make you think of?

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Can you identify what musical elements may have created that mood for you? When did the mood change and why? Did you enjoy the melodies that you heard? Did the rhythms, dynamics, or tempos used by Beethoven help make this work energetic?

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Did you hear parts of the violin sonata that made you feel peaceful or calm and if so, what part of the sonata were they in? Were there any parts that sounded playful to you? If so, which movement did you hear them in? Why or why not? Can you identify which music elements made you enjoy or not enjoy the music? What music elements seemed to be important to him? Did you hear music that suggested the qualities, sights, or sounds of spring to you? Perhaps you could listen to other music by Beethoven, such his famous 5th Symphony.

Perhaps you could listen to the Beethoven sonatas written just for piano. You might want to listen to other classical period sonatas such as those composed by Mozart. Sonate pour piano et violon en Fa majeur, Op. La sonate pour violon en Fa majeur Op. Beethoven 65 [Overture] 2 D-B, Mus. Rudolf Grumbacher, Referenz-Nr. Beethoven 56 [piano reduction without vocal parts]. Beethoven 1 [Kyrie] 2 D-B, Mus. Bodmer, HCB Mh 29 [2nd bassoon part additions].

Beethoven 2 [incomplete] 2 D-B, Mus. Beethoven Artaria [mvt. Beethoven 19c [mvt. Beethoven Grasnick 10 [mvt. Beethoven Artaria [various] 2 D-B, Mus. MaurerArchiv, inv. BeethovenArtaria [partial autograph without the last 26 measures]. Bodmer, HCB Mh 25 [m. Beethoven 19b [mvt. Beethoven 17 2 D-B, Mus. Beethoven 1ge [trombones mvt. Beethoven Artaria [without percussion] 2 D-B, Mus. GB-Lbl, Add. Beethoven Grasnick 25b, f. Wegeler, W 1. Wegeler, W 2 [No.

Bagatelle in c for piano. Allegretto in c for piano.

Beethoven Grasnick 25, f. Beethoven Grasnick Praeludium in f for piano. Bagatelle in C for piano. D-BNba, BH 80 [mvt. Formerly owned by Therese Malfatti, later lost. Syracuse NY, L. Krasner [lost? Variations for Piano 13 on Dittersdorf Arietta. Variations 13 on Theme by Waldstein for piano duet. Variations 13 on Wranitsky ballet Theme. Ich denke dein , song and variations 6. D-BNba, BH , f. Bodmer, HCB Mh 24, f. Germania from Treitschkes Singspiel.

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Chorus for Princes Congress of Vienna. Beethoven futaria a [No. Lof auf den Dicken. Un lieto brindisi. Stargardt-Katalog , p. Hochzeitslied 2 versions. Lobkowitz Cantata. Autograph whereabouts unknown. Elegie auf den Tod eines Pudels. Que le temps me dure unfinished. Man strebt, die Flamme zu verhehlen. Franz Schubert, Thematisches Verzeichnis … [p.

Violin Sonata No. 1 (Beethoven)

Als die Geliebte sich trennen wollte. In questa tomba oscura. I58 [Version 2]. Bodmer, HCB Mh Die laute Klage. Beethoven Grasnick 6 2 A-Wgm, A Stargardt-Katalog , Table Lied aus der Ferne. B4 J8 Beethoven Artaria , f. An die Geliebte. BeethoyenArtaria , p. Beethoven [No.

About the Work

Beethoven Artaria , p. Beethoven Artaria , p 8f [No. Beethoven Grasnick 20a, f. Bernhard Bartels, Beethoven, Hildesheim [], Anhang. Online Henrici-Katalog Der Wiener Telegraph.